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Master and Commander: The Far Side of the World (2003) Play Movie

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You will see complete description of Master and Commander: The Far Side of the World below:
  • Original Title : Master and Commander: The Far Side of the World
  • Movie title in your country : Master and Commander: The Far Side of the World
  • Year of movie : 2003
  • Genres of movie : Adventure,
  • Status of movie : Released
  • Release date of movie : 2003-11-14
  • Companies of movie : Universal Pictures, Twentieth Century Fox Film Corporation, Samuel Goldwyn Films, Miramax,
  • Countries of movie : United States of America,
  • Language of movie : Français, Português, English,
  • Durationof movie : 138 Min
  • Average vote of movie : 6.9
  • Youtube ID of movie : 4wDVf5Tkc88
  • Translation of movie : DA,EN,DE,IT,ES,RU,FI,PT,ZH,SV,PL,TH,RO,UK,HE,FR,EL,PT,TR,HU,CS,NL,BG,
  • Actors of movie :Billy Boyd (Barrent Bonden), Max Pirkis (Blakeney), Ousmane Thiam (Black Bill), Joseph Morgan (William Warley, Jack Randall (Boyle), Robert Pugh (Mr. Allen), Richard Pates (Williamson), Chris Larkin (Capt. Howard), Ian Mercer (Mr. Hollar), Tony Dolan (Mr. Lamb), James D'Arcy (1st Lt. Tom Pullings), Bryan Dick (Joseph Nagle), John DeSantis (Padeen), Mark Lewis Jones (Mr. Hogg), George Innes (Joe Plaice), Paul Bettany (Dr. Stephen Maturin), William Mannering (Faster Doudle), Patrick Gallagher (Awkward Davies), Edward Woodall (2nd Lt. William Mowett), Russell Crowe (Captain Jack Aubrey), David Threlfall (Preserved Killick), Alex Palmer (Nehemiah Slade), Thierry Segall (French Captain), Max Benitz (Calamy), Richard McCabe (Mr. Higgins), Cpt. of Mizzentop), Lee Ingleby (Hollom)
The courage to do the impossible lies in the hearts of men.

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Master and Commander: The Far Side of the World is a better movie created by Universal Pictures, Twentieth Century Fox Film Corporation, Samuel Goldwyn Films, Miramax, by using a description of the movie is "After an abrupt and violent encounter with a French warship inflicts severe damage upon his ship, a captain of the British Royal Navy begins a chase over two oceans to capture or destroy the enemy, though he must weigh his commitment to duty and ferocious pursuit of glory against the safety of his devoted crew, including the ship's thoughtful surgeon, his best friend.". The film was produced with excellent graphic quality, best quality of sound and best starring actors.

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Visual Effects Supervisor : Mitchell S. Drain, Lighting Artist : Michael Sean Foley, Visual Effects Editor : Tom Barrett, Craft Service : Orlando Chongo, Production Sound Mixer : Art Rochester, Set Designer : Bill Hiney, Producer : Samuel Goldwyn Jr., Co-Producer : Todd Arnow, Electrician : Willie E. Dawkins, Stunt Coordinator : Doug Coleman, Lighting Technician : Derick Pritchard, Dolby Consultant : Andy Potvin, Construction Coordinator : Gary Deaton, Original Music Composer : Christopher Gordon, Art Direction : Marco Niro, Visual Effects Supervisor : Stefen Fangmeier, Production Office Coordinator : Derek Jan Vermaas, Unit Manager : Rafael Cuervo, Digital Compositors : Kathleen Beeler, I/O Supervisor : Brian Cuscino, Camera Operator : Matthew J. Siegel, Color Timer : Jim Passon, Construction Foreman : James Arrigo, Studio Teachers : Judith M. Brown, Steadicam Operator : Harry K. Garvin, Costume Design : Wendy Stites, Costume Supervisor : Dawn Y. Line, Researcher : Brice Criswell, Propmaker : Bobby Mara, Unit Production Manager : Todd Arnow, Stand In : David Oliver, Casting Associate : Nicole Hilliard-Forde, Set Designer : Mark Hitchler, Set Designer : Manuel Martínez, Camera Operator : Jamie Barber, Thanks : Christopher Terrill, Camera Operator : Don Reddy, Director of Photography : Russell Boyd, Transportation Coordinator : Russell McEntyre, Makeup Artist : Robin Beauchesne, Rigging Grip : Oscar Gomez, Visual Effects Coordinator : Kimberly Adams, Co-Producer : Harvey Weinstein, Director : Peter Weir, Technical Supervisor : Brian Gee, Casting : Fiona Weir, Sound Re-Recording Mixer : Paul Massey, Set Designer : Carlos Benassini, Casting : Mary Selway, Co-Producer : Bob Weinstein, Production Accountant : Jen Hutchinson, Stunt Coordinator : Daniel W. Barringer, Sequence Supervisor : Jay Cooper, Grip : Chris Centrella, Location Manager : Michael John Meehan, Sound Effects Editor : Michael W. Mitchell, Foley : Gary A. Hecker, 3D Supervisor : Christopher Bonnstetter, Visual Effects Supervisor : Pablo Helman, Set Decoration : Robert Gould, Set Production Assistant : Heather Anderson, Property Master : Doug Harlocker, Line Producer : Bridget Bourke, Assistant Director : Alan B. Curtiss, Set Designer : Nick Navarro, Utility Stunts : Mitch Toles, Visual Effects Editor : Kosta Saric, Set Costumer : Javier Arrieta, Visual Effects Producer : Helen Elswit, Makeup Effects : Gabriel De Cunto, Post-Production Manager : Patrick Esposito, Layout : Dani Morrow, Assistant Art Director : Kevin Ishioka, Camera Operator : Guillermo Rosas, Scoring Mixer : Robert Fernandez, Gaffer : David Lee, Digital Effects Supervisor : David Ebner, Unit Publicist : Sandy O'Neill, Original Music Composer : Richard Tognetti, Visual Effects Producer : Jeff Werner, Executive Producer : Alan B. Curtiss, Post Production Supervisor : Jeffrey Harlacker, Script Supervisor : Brenda Lopez, Transportation Captain : Wayne Stone, First Assistant Camera : Robert Hill, Music Editor : Simon Leadley, Set Dressing Supervisor : Jennifer Lewicki, Production Coordinator : Andy Foster, Boom Operator : Jeffrey A. Humphreys, Video Assist Operator : Adam Barth, Post Production Assistant : Sassica Francis-Bruce, Projection : Larry Hoki, Set Medic : Jeffrey D. Stevens, Standby Painter : Anthony Gaudio, Still Photographer : Stephen Vaughan, Helicopter Camera : Phil Pastuhov, Rigging Gaffer : Stephen Johnstone, Sound Re-Recording Mixer : Doug Hemphill, Armorer : Steve Auvenshine, Set Dressing Artist : Giovanni Bianchini, Dialogue Editor : Hugo Weng, Art Direction : Bruce Crone, Foley : Nancy Parker, Second Unit Cinematographer : David R. Ellis, Producer : Peter Weir, Art Department Coordinator : Gerald Lehtola, Studio Teachers : Maxine Arbarbara, Production Design : William Sandell, Visual Effects Producer : Julia Frey, Screenplay : Peter Weir, Sound Recordist : Tim Gomillion, Producer : Duncan Henderson, Screenplay : John Collee, Camera Operator : George Billinger III, First Assistant Sound Editor : Linda Yeaney, Original Music Composer : Iva Davies, Special Effects Coordinator : Daniel Sudick, Storyboard : David Russell, Telecine Colorist : Eric Putz, Stunts : Joey Anaya, Novel : Patrick O'Brian, Art Direction : Héctor Romero, Camera Operator : Martha Susana Ramos, Seamstress : Marcelina Barraza, Digital Intermediate : Hilda Saffari, Driver : Tom Gilhooley, Co-Producer : Meyer Gottlieb, Editor : Lee Smith, Visual Effects Producer : Stephanie Hornish, Production Illustrator : Daren Dochterman, First Assistant Editor : John Lee, Hair Department Head : Yolanda Toussieng, Dialect Coach : Judy Dickerson, Executive Visual Effects Producer : Blondel Aidoo, Script Supervisor : Wilma Garscadden-Gahret, Hairstylist : Edith I. Amezcua, Leadman : Christopher Neely, Makeup Department Head : Edouard F. Henriques, Quality Control Supervisor : Timothy Michael Cairns, Loader : Sal Alvarez, Sound Designer : Richard King, Art Direction : Mark W. Mansbridge, Best Boy Electric : Rick Maddux, Translator : Quincy Perkins
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